![]() ![]() Rec709 standard color profile is on pretty much all cameras and this is what you will be mostly using. LUTs are designed to bring your LOG footage back to Rec709 or you can use LUTs as creative LUTs to stylise your LOG footage. This is where LUTs come very handy in the professional filmmaking world. This is because the LOG color profile is designed to be color corrected and graded in the editing process. The only issue people find with LOG is that it looks close to black and white and very faded. Interested in more information on lenses? Check these articles out.LOG is generally used on professional cameras, to enhance your dynamic range so you can maintain highlights and shadows of the image, without losing detail. We captured these lens flares with Atlas Orion anamorphic lenses, and a Panasonic AU-EVA1.įor more information about these lenses and for our full review, watch the video below. If you’d like to change color or contrast, you’ll find various color correction tools in the effects panel.“Screen” or “Add” are going to be the best blending mode options for most situations.Here, you can select your overlay mode from the dropdown. In the top right, there is a compositing options tab.Lay the lens flare you like onto the video layer above the main video to which you’d like to add the flare.First, import your folder of flares or the specific one you want into your project. It’s very easy to use these flares in Final Cut.How to use the lens flares in Final Cut Pro You can find both of these in the color correction section of the effects dropdown. If you’d like to customize the color or contrast of your lens flare, I recommend using a curves effect to play with the contrast, and if you’d like to change the color, I recommend the hue/saturation effect.Sometimes overlay or hard light can yield an interesting result. Now, you can select the blend mode of choice for your particular scene or design.In the composition to which you want to add flares, drag your flare of choice down into the composition.How to use the lens flares in After Effects Some lens flares need a little bit more contrast for certain scenes. ![]() Here, you can change the color of the flare or customize the contrast using the curves dropdown. To do this, use the Lumetri Color effect. You may want to change colors or customize the brightness or contrast of the lens flare.If you’d like to add more punch to the lens flare (brighten it up), you can try the “Linear Dodge” (Add) blend mode.Here, you’re free to use whichever one you like best, but for a more natural-looking lens flare, you’ll want to use “Screen.” Click on the “Effect Controls” tab, and in the opacity area of the effect controls tab, you’ll see blending mode options.After laying the footage to which you’d like to add the lens flare on top of your timeline, drag your lens flare of choice to the video layer above the main video layer.Import the lens flare folder, or the lens flare of your choice, into your project.However, we created them mostly with Adobe Premiere Pro, Adobe After Effects, and Final Cut Pro in mind. The great thing about lens flare overlays is that they are compatible with any nonlinear editing or compositing software that includes blend mode options (every editing program should include some version of this). By downloading, you agree not to resell or redistribute these free assets. These lens flare overlays are free to use in any personal or commercial projects. To download these free lens flare overlays, simply click the button below. Download the 17 FREE Anamorphic Lens Flares Download them now for your next video!įeaturing the song “Rising From The Flames” by Simon Stevens and footage from Shutterstock. We shot these overlays in a controlled studio environment and captured them organically with professional anamorphic lenses. PremiumBeat has bundled 17 free anamorphic lens flare overlays for you to use in your videos and graphics. These anamorphic lens flares are ready for your video projects and motion graphic design - with everything from subtle flares to bright light hits. ![]()
0 Comments
Leave a Reply. |